|
|
|
St Nicholas Altarpiece Pintura Identificación:: 90051
Vea nuestra galería en Suecia
|
St Nicholas Altarpiece between 1486(1486) and 1493(1493)
Medium oil on oak panel
Dimensions Height: 101.5 cm (40 in). Width: 81.5 cm (32.1 in).
cyf between_1486(1486)_and_1493(1493)
_
Medium_oil_on_oak_panel
_
Dimensions_Height:_101.5_cm_(40_in)._Width:_81.5_cm_(32.1_in).
_
cyf
|
|
|
|
|
|
|
|
Scene from the St Lucy Legend Pintura Identificación:: 90321
Vea nuestra galería en Suecia
|
Scene from the St Lucy Legend 1480(1480)
Medium oil on panel
cyf 1480(1480)
_
Medium_oil_on_panel
_
cyf
|
|
|
|
|
|
|
|
St Veronica with the Sudarium Pintura Identificación:: 91119
Vea nuestra galería en Suecia
|
St Veronica with the Sudarium between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf between_1480(1480)_and_1500(1500)
_
Medium_oil_on_oak_panel
_
cyf
|
|
|
|
|
|
|
|
Legend of St Lucy Pintura Identificación:: 92130
Vea nuestra galería en Suecia
|
Legend of St Lucy 1480(1480)
Medium oil on oak panel
Dimensions Height: 79 cm (31.1 in). Width: 183 cm (72 in).
cyf 1480(1480)
_
Medium_oil_on_oak_panel
_
Dimensions_Height:_79_cm_(31.1_in)._Width:_183_cm_(72_in).
_
cyf
|
|
|
|
|
|
|
|
Mary, Queen of Heaven Pintura Identificación:: 92367
Vea nuestra galería en Suecia
|
Mary, Queen of Heaven Date c. 1485-1500
Medium oil on panel
Dimensions 199.2 X 161.8 cm (78.4 X 63.7 in)
TTD Date_c._1485-1500
_
Medium_oil_on_panel
_
Dimensions_199.2_X_161.8_cm_(78.4_X_63.7_in)
_
TTD
|
|
|
|
|
|
|
| Artista Previo Próximo Artista
|
|
Master of the Legend of St. Lucy
|
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
|
|